1920s Landscape Prints
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Period: 1920s
"Oliviers" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...
Category
1920s Landscape Prints
Materials
Lithograph, Stencil
Bluebell Wood, John Hall Thorpe colour woodcut, c1920
Located in Melbourne, Victoria
Colour woodcut. C1922.Signed in pencil below the image.
Hall Thorpe's colourful and decorative woodcuts were very popular in the 1920s and 1930s. He was ...
Category
Art Nouveau 1920s Landscape Prints
Materials
Woodcut
London Underground Summertime original vintage poster by Edward McKnight Kauffer
Located in London, GB
To see our other original vintage travel posters including more London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or...
Category
1920s Landscape Prints
Materials
Lithograph
Brooklyn Waterfront
Located in Fairlawn, OH
Brooklyn Waterfront
Lithograph, 1931
Signed, titled, and dated in pencil by the artist
Edition: Undetermined (very small), plus artist's proofs
Printed by Meister Schulz, Berlin
Provenance:
Estate of the artist
Virginia Dehn, the artist's widow
Dehn Quests
Bibliography:
Lumsdaine and O'Sullivan 152
Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 9.14, page 213 (This impression)
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood.
After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet).
Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason.
Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag.
The Years in Europe: 1922-1929
In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work.
Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.”
A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...
Category
American Modern 1920s Landscape Prints
Materials
Lithograph
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
Other Art Style 1920s Landscape Prints
Materials
Drypoint, Etching
A Spanish Good Friday (Ronda)
Located in Storrs, CT
A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson catalog 412 state xxix. Image: 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Housed in a 22 1/4 x 15 1/2-inch period gold leaf frame.
This is one of Bone's most dramatic images. The night shadows...
Category
Modern 1920s Landscape Prints
Materials
Drypoint
'Backyards of Broadway' — 1920s American Precisionism, New York City
Located in Myrtle Beach, SC
Louis Lozowick, 'Backyards of Broadway ( Waterfront I )', lithograph, 1926, edition 10, Flint 7. Signed in pencil. A fine, richly-inked impression, on BFK Rives off-white, wove paper...
Category
American Modern 1920s Landscape Prints
Materials
Lithograph
St Paul's Cathedral, Thames, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
Other Art Style 1920s Landscape Prints
Materials
Etching, Drypoint
RED ROCK CANYON
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
RED ROCK CANYON ca 1936
Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...
Category
1920s Landscape Prints
Materials
Linocut
Villa sul Mare - Lithograph by Giorgio De Chirico
Located in Roma, IT
"Villa sul mare" is a rare original lithograph realized by Giorgio de Chirico in 1929. It comes from the Suite "Metamorphosis". It is hand signed and numbered. This is an edition of ...
Category
Surrealist 1920s Landscape Prints
Materials
Lithograph
Grand Central, Night
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
American Impressionist 1920s Landscape Prints
Materials
Drypoint
Rue des Rats, Modernist Lithograph by Stuart Davis 1928
By Stuart Davis
Located in Long Island City, NY
A modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...
Category
American Modern 1920s Landscape Prints
Materials
Lithograph
Wonderground Map of London by MacDonald 'Max' Gill c. 1924 original poster
Located in London, GB
To see our other original vintage posters and views of London (including original paintings), scroll down to "More from this Seller" and below it click on "See all from this Seller" ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
American Cathedral (The Woolworth Building).
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...
Category
American Modern 1920s Landscape Prints
Materials
Etching
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
Art Deco 1920s Landscape Prints
Materials
Etching, Drypoint
Group of three Clowns - Etching and Drypoint by Jean Lurçat - 1921
By Jean Lurçat
Located in Roma, IT
Hand Signed and signed on plate. Edition of 35 prints.
Image Dimensions : 30 x 20 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...
Category
Post-Impressionist 1920s Landscape Prints
Materials
Drypoint, Etching
Marina in Burrasca - Original Etching by Carlo Carrà - 1924
By Carlo Carrà
Located in Roma, IT
Marina in Burrasca is a splendid etching realized by Carlo Carrà (1881- 1966) in 1924.
Hand-signed, titled and qualified as an artist proof (Prova d'artista) on the lower margin by ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Black Magic
Located in New York, NY
Gerald Geerlings (1897-1998), Black Magic, etching and aquatint, 1929, signed in pencil lower right, titled and annotated (New York, 1928) lower left margi...
Category
American Impressionist 1920s Landscape Prints
Materials
Etching
Nashville in Winter
Located in Fairlawn, OH
Nashville in Winter
Etching, c. 1928
Signed in pencil lower right (see photo)
Very small edition
A rare image of early Nashville, Indiana
Excellent impression with plate tone in the sky
First state before the aquatint depicting a winter nocturne with fall snow
Printed on a fine laid paper with a Crown & Shield watermark
Provenance: Estate of the artist
By decent
Louis Oscar Griffith
(1875-1956)
Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts.
In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...
Category
American Realist 1920s Landscape Prints
Materials
Etching
Venice Two - Etching by Giovanni Korompay - 1928
Located in Roma, IT
Image dimensions: 19.5 x 24.5 cm.
Black and white etching on paper, realized by the Italian artist Giovanni Korompay in 1928.
Titled, numbered, and monogrammed in pencil on the lo...
Category
Futurist 1920s Landscape Prints
Materials
Etching
St. Stephen's Cathedral in Vienna - Hand Colored Cityscape Lithograph
Located in Soquel, CA
Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...
Category
Photorealist 1920s Landscape Prints
Materials
Watercolor, Lithograph, Paper
New Viaduct
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
1920s Landscape Prints
Materials
Drypoint
'Philadelphia, Broad Street' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Philadelphia – Broad Street', etching, edition not stated, circa 1927. Signed in pencil. Annotated 'Philadelphia Broad St. Showing City Hall', in another hand, in the ...
Category
American Realist 1920s Landscape Prints
Materials
Etching
'The White House' — 1920s Realism, Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches.
ABOUT THE ARTIST
Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category
American Realist 1920s Landscape Prints
Materials
Etching
'Chicago Harbor' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category
American Realist 1920s Landscape Prints
Materials
Etching
'Spirit of Buffalo' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches.
ABOUT THE ARTIST
Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category
American Realist 1920s Landscape Prints
Materials
Etching
'U.S. Chamber of Commerce' — 1920s Realism, Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 3/4 to 2 3/8 inches), in excellent condition. Image size 9 7/8 x 7 7/8 inches; sheet size 14 1/8 x 11 5/8 inches. Matted to museum standards, unframed.
ABOUT THE ARTIST
Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category
American Realist 1920s Landscape Prints
Materials
Etching
Delaunay, La Tour aux Rideaux (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La place de la Concorde (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Vue aérienne de la Tour (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Les ponts de Paris et Notre-Dame (H. 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La flèche de Notre-Dame (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Le pont aérien (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Ponts et passerelle de Passy (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Cité (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Saint-Séverin (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Le Sacré-Cœur (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Tour et le Champ de Mars (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Tour et la femme (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La butte Montmartre et le Sacre-Cœur (H 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Seine et l'île de la Cité (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, Le Moulin Rouge (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La place de l'Étoile (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La grue (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Madeleine et les Boulevard (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Seine aux quatre ponts (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Delaunay, La Seine et La Tour (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
The Anchor
Located in Storrs, CT
The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing.
The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject.
In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
Modern 1920s Landscape Prints
Materials
Etching, Drypoint
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
Romantic 1920s Landscape Prints
Materials
Lithograph
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